Chhatrapati Shivaji Maharaj Vastu Sangrahalaya

Mumbai's principal museum, still widely called by its old initials, occupies a domed Indo-Saracenic building of 1915 in the Kala Ghoda district, set back behind palms and a lawn. The collection is broad rather than deep in any one area: Indus Valley finds, Gandharan and Gupta sculpture, a strong run of Mughal, Deccani and Rajput miniatures, Nepalese and Tibetan bronzes and thangkas, Chinese and Japanese porcelain from private bequests, arms, and a natural history wing of old-fashioned dioramas. Air conditioning, decent labelling and a manageable size make it one of the easier large museums in India to spend a couple of hours in without wearing yourself out.

What you actually see

• The miniature painting galleries - Mughal, Deccani and Rajput works hung in dim, climate-controlled rooms.
• Indian sculpture - stone and bronze figures arranged around the central rotunda under the dome.
• Himalayan and Chinese collections - thangkas, bronzes and porcelain from donated private holdings.
• The building itself - domed Indo-Saracenic architecture with a garden forecourt, worth a slow lap outside.

When to go

November to February is Mumbai's dry, tolerable season, and the museum is a sensible way to spend the hottest part of any day year-round. It shuts on some public holidays. Weekday mornings are quiet; weekends bring families, and the Kala Ghoda streets outside fill up during the arts festival in early February.

Honest expectations

Camera and audio-guide fees stack on top of the ticket, and the foreign-visitor rate is several times the local one. Galleries close for rehanging with no notice. The natural history dioramas are visibly aged and thinly explained. Traffic and parking around Kala Ghoda are grim, so walk from the station rather than taking a taxi.

Nearby

The Gateway of India, Colaba Causeway and the Kala Ghoda galleries are all within fifteen minutes on foot.