Camagüey

Most Spanish colonial cities in the Americas were laid out on a grid. Camagüey was not, and its tangle of narrow curving streets, blind corners and irregular plazas is usually explained as a defence against pirates, who would lose their way in it. Whatever the reason, the effect is a city that has to be wandered rather than navigated. Its emblem is the tinajón, an enormous belly-shaped clay jar used to catch rainwater, thousands of which sit in courtyards and on street corners, and about which there is a local saying that a visitor who drinks from one will never leave. Plaza San Juan de Dios keeps its eighteenth-century colour scheme intact, and the city has produced an unusual number of Cuban artists, whose sculptures now occupy the squares.

What you actually see

• Plaza San Juan de Dios - the best-preserved colonial square, with its church and former hospital.
• Tinajones - the giant clay water jars in courtyards and on corners across the city.
• Plaza del Carmen - life-size sculptures of camagüeyanos going about ordinary business.
• Casa Natal de Ignacio Agramonte - a colonial mansion museum on the main square.

When to go

November to April is the dry season and much more comfortable; the summer is hot and humid inland with a hurricane risk from August. The city is a natural stop breaking the long road between Havana and Santiago.

Honest expectations

Camagüey is inland and hot, with none of the sea breeze the coastal cities get. Getting lost is genuinely easy and part of the experience, but it can be wearing in the heat. Cuba's shortages affect everything from restaurant menus to fuel for transport, and travellers should arrive with realistic expectations and cash, since card systems are unreliable.

Nearby

Playa Santa Lucía is on the north coast; Trinidad lies west along the central highway.