The Owl House
A Karoo house whose owner filled the yard with hundreds of cement figures facing east, working alone for thirty years.
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Helen Martins lived in this house in a small Karoo village and, from about 1945 until her death in 1976, transformed it - she crushed coloured glass and coated the interior walls and ceilings with it so the rooms catch light, and with the help of Koos Malgas, a local labourer who became her collaborator, she built hundreds of cement and glass sculptures in the yard: owls, camels, shepherds, mermaids, pilgrims, most of them facing east toward a Mecca she had read about and never saw. She worked in near isolation, was regarded as strange by the village, and took her own life at seventy-eight. The place is now a museum and a national monument, and it is one of the best-known outsider art environments anywhere. Athol Fugard's play The Road to Mecca is based on her, which brought the house a wider audience.
What you actually see
- The glass interiors - walls and ceilings coated in crushed coloured glass.
- The Camel Yard - hundreds of cement figures, most facing east.
- The collaboration - work made with Koos Malgas, the labourer who built with her.
- The isolation - thirty years of work by a woman the village considered odd.
When to go
March to May and September to November. Two hours. Morning light suits the glass rooms.
Honest expectations
The story is bleak and the museum does not soften it - Martins died by suicide and the house carries that. The village is reached by gravel and has few services. Summer heat is heavy. Photography rules apply inside.
Nearby
Nieu-Bethesda village is around it; Graaff-Reinet and Camdeboo are south.
What to pack for The Owl House
Chosen from what this place is for. Tap a kit for the full checklist.
Opening times, ticket prices and seasonal closures change - check the official source before you go: official site.