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Lees in het NederlandsThis page is also written in Nederlands.

Beeld en Geluid

The national broadcasting archive in a coloured glass box, with five underground storeys of tape below it.

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Typemuseum
WhereNorth Holland
Nearest cityHilversum; Amsterdam about 30 km
Best seasonAll year
Time to allowHalf a day
Getting thereMedia Park, Hilversum; trains to Hilversum Sportpark
EntryTicketed

Hilversum has been the centre of Dutch broadcasting since the 1920s and the Media Park holds most of the industry, and the Instituut voor Beeld en Geluid is its archive: around a million hours of Dutch radio and television, film and music, one of the larger audiovisual archives in Europe. The building, by Neutelings Riedijk and opened in 2006, is a cube whose facade is made of coloured cast glass panels carrying relief images from Dutch television history, and about half its volume is below ground - a deep vault holding the physical carriers, visible from above through the atrium, which is the most striking thing in the building. The museum above it is interactive and aimed squarely at Dutch visitors who recognise the programmes, which is worth knowing: much of the content assumes you grew up watching this material.

What you actually see

  • A coloured cast-glass facade - relief images from Dutch television on the panels.
  • A vault below ground - the physical archive visible from the atrium above.
  • A million hours of media - among the larger audiovisual archives in Europe.
  • An interactive museum - built around programmes Dutch visitors grew up with.

When to go

All year. Half a day.

Honest expectations

The museum assumes familiarity with Dutch television and a lot of it will not land for foreign visitors. Closed Mondays outside holidays. Very busy with school groups. The archive itself is not open for browsing.

Nearby

Singer Laren is east; the Loosdrecht lakes are south.

What to pack for Beeld en Geluid

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Opening times, ticket prices and seasonal closures change - check the official source before you go: official site.

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