The Last Supper
A mural Leonardo painted in a technique that failed almost immediately, kept alive by centuries of repair.
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Leonardo painted this on the refectory wall of Santa Maria delle Grazie between about 1495 and 1498, using tempera and oil on dry plaster rather than true fresco so he could work slowly and revise; the paint began flaking within twenty years. It has been repainted, cleaned and restored repeatedly, most recently in a twenty-one-year campaign completed in 1999 that stripped earlier overpainting and left the surviving original, which is a fraction of the whole. A door was cut through the bottom in 1652, removing Christ's feet. Allied bombing in 1943 destroyed the refectory roof and one wall; the mural, sandbagged, survived.
What you actually see
- The surviving original - a fragment of Leonardo's paint after restoration.
- The cut doorway - the 1652 opening that removed the lower centre.
- The bombed refectory - a room rebuilt after 1943 around the wall.
- The composition - the moment of the announcement of betrayal.
When to go
Year-round; entry is in timed groups of limited size for fifteen minutes, and tickets are released in blocks that sell out months ahead. Booking is essential.
Honest expectations
Viewing is fifteen minutes in a controlled group, no more. Tickets must be booked far in advance and resellers charge heavily. Much of the original paint is gone.
Nearby
the Sforza Castle lies northeast; the Duomo is east.
What to pack for The Last Supper
Chosen from what this place is for. Tap a kit for the full checklist.
Opening times, ticket prices and seasonal closures change - check the official source before you go: official site.